04/21/11

Neck, a week later

Well, my head hasn’t fallen off yet.

The effect of the Atlas Profilax on my posture doesn’t seem to have worn away. I’m still sitting and standing straighter. I’m also waking up feeling more alert and refreshed in the morning, and seem to be remembering my dreams a little more (maybe because of being alert). The other night I dreamt I was ‘flying’, though it was more like swimming around and around the room a metre off the floor.

What hasn’t changed: crunchy noises when I turn my head, popping jaw, getting worried about bizarre stuff (though that’s staying at the low level it’s been at for the past few months).

I seem to be able to sit longer at the computer without getting a sore neck/back/shoulder/whatever. It basically feels as though my chest is forward and my neck is upright, rather than neck forward and chest rounding inwards. Even when I’m looking at the keyboard, although my neck is bending, the spine is staying straight and not hunching.

Verdict: if this posture improvement lasts, the cost of the treatment ($250) will have been worthwhile for that alone. I’m surprised that, given how little the bone apparently was out of place, how marked the change in posture has been. However, I’m not at all sure that the craziness, fevers, joint pains et al were atlas-related. Especially the craziness. Something physical, be it atlas or something else, might have been the last straw, but I still think that stuff had causes in my life and mind.

04/21/11

Pan’s progress

Pan now has ears and horns, more or less, and the beginnings of hair. I’ve wrapped the bust over a lump of wax, which makes it easier to hold. At some point I think I’ll have to take it off and put it on a stick, but it’s ok for now.

Plasticine hairdressing — after starting at the top of the head I realised that, duh, it would be better to do the edges first and work inwards, since the higher parts have to sit on top of the lower:
wax_pan3back

The horns are getting there, but they need work. I made them separate from the head, but had to do the grooves after they were attached to the head so that I wouldn’t end up with the grooves going in some wrong direction. I did the grooves with a seam unpicker, then smoothed most of them over with a rubber-tipped tool to see how it looked. I’m not really satisfied, so I’ll try freezing the piece then working on the horns with a toothpick or something and a paintbrush dipped in methylated spirits. (ETA: metho on the frozen model seems to have little or no effect.)  One horn is made out of hard plasticine, but the other is covered in softer plasticine (I didn’t like its shape and used the soft to fix it, forgetting that the grooves wouldn’t stay in it as well when I smoothed it). The horns are attached to the head on wire, so I can remove them if I have to, but now that they’re in place I’d rather leave them there if poss.
wax_pan3top1

wax_pan3top4

One ear — needs smoothing, and I’d like to get the inner contours better if I can, though they’re probably ok. This pic shows how rough the face is, too. I’m not sure how much to smooth it.
wax_pan3side4

Full view — the model seems to want to lift off the base; maybe the pressure of my fingers is pushing it up? Anyway, I don’t think it matters; I’ll do the shoulders properly when I put it on a stick. I shall pretend that I know what I’m doing.
wax_pan3front1

wax_pan3side3

04/14/11

Neck

After being mysteriously sick, mentally and physically, off and on for a couple of years, I went to a doctor when I was back in Australia late last year and tried to get a diagnosis. It was really a retrospective diagnosis, as the physical problems had gone and I’d been dealing with the psychological content of the mental ones (though it seemed to me that there was a physiological component too.)

The doc thought that it was all down to a problem with my neck — a misaligned atlas bone, which is the top vertebra on which the skull sits. She said it was a common problem, and that the compression of nerves and blood vessels caused by it can bring on all kinds of trouble. She said it wasn’t an orthodox medical diagnosis, but she explained the biology and gave me some information to read, and it did make sense. She suggested a treament, called Atlas Profilax, which is a massage with a vibrating instrument that supposedly causes the bone to move back into place.

I wasn’t sure, so I gave it a few months. Symptoms didn’t recur, but the doc thought that they would if my posture got worse. In the end, I decided to get it done. MDs don’t provide the service, so I had to see an alternative healthcare practitioner. I decided to trust the MD’s recommendation and see one woman (a massage and cranio-sacral therapist, amongst other things).

Her opinion was interesting. She thought my atlas bone was only a little bit out, and although she said that the problems I’d had could have been caused by it, she seemed more inclined to think what I (and my old, now retired doctor) originally thought — that it was a virus. She was honest, saying that she wasn’t sure I’d benefit from the atlas treatment, except in a general wellbeing and preventative way (misalignment of the bone is apparently a contributing factor to posture worsening with age, the MD had said, as people crane their necks forward in order to feel balanced).

I decided to have it done anyhow. If it does provide a lifelong aid to good posture, I thought, it would probably be worthwhile. After a good, deep neck massage, the treatment itself was several uncomfortable minutes of having the muscles at the top of my neck, under the skull, attacked with an instrument like a small rubber-tipped jackhammer.

Afterwards, I stood up feeling as though I was in deportment class with a book on my head. My neck, back and posture in general felt very straight. In the car, I felt that I wanted to sit bolt upright. The next day (yesterday) I was a bit sore, but still had the feeling that standing straight — shoulders back, chest forward, head upright rather than craned — was natural and comfortable, whereas before it has always been rather uncomfortable. I also felt I’d stopped listing to one side. My mother thought I was standing straighter.

I spent all day doing my usual stuff — sitting at the computer, bending over fiddly little sculptures — and noticed how awkward it felt to sit with my neck bent down, compared with the comfort of an upright neck. This morning my neck is a bit stiff and the muscles are showing an interest in craning forward again as I type this. I’ve increased the screen magnification and am touch typing as much as I can, which is helping.

Enough people think the atlas adjustment did wonders for them that I’m inclined to believe the bone really does move back into place. However, I’m wondering whether my improved posture yesterday wasn’t due more to the neck massage. Time ought to tell.

Little things that I was hoping might stop after the treament — jaw popping when I open my mouth wide, crunchy noises when I move my head — are going on as usual.

So far, I would say the main benefit I’ve had, whether from the atlas thing or the massage (or even the cranio-sacral stuff the therapist did afterwards, who knows?), has been the discovery of a comfortable upright posture. And I don’t want to lose it. So I feel more motivated to do the things that keep the neck and back happy. (One slightly odd thing: I seem to be a little better at touch typing. I got through that whole last sentence without having to look until the word “typing”, and ditto for this sentence — I made mistakes, but was able to correct them without looking down.) And still feel I’m not listing to the left.

If the whole business of stiff neck and weird, short fevers (like what I gather hot flashes are like, but apparently I’m not discernably early-menopausal), and, worst of all, crippling irrational anxiety, was caused by a virus, I guess I just have to hope it doesn’t happen again. I’ve left both the tourist ghetto and the teaching job, so that I’m now in much less contact with people who’ve come from overseas or recently been on planes (my students always seemed to be going back and forth to Japan). Hopefully that will lower the chance of picking up a weird bug.

I did find that in dealing with the anxiety, beta blockers turned out to be the magic bullet. I took a low dose for two weeks last year. Somehow their physically calming effects broke the anxiety circuit. (They were much more effective in my case than Xanax, which was a helpful bandaid at times, but never seemed more than that.) Then I got miserably depressed, which was when I started to get an inkling that whatever else was going on, there was non-imaginary mental material to deal with. But I don’t think I could have dealt with it without taking the drugs first. It’s hard to look for concealed problems when adrenaline’s racing around your body and your mind’s in a panic.

What I will be doing, when I go back, is looking for someone in Bangkok who can give a good neck massage. Unfortunately traditional Thai massage does bugger all for necks, in my experience, and very often there isn’t a proper table, so that either your neck is twisted or your face is mashed into a pillow. Not good. But there are other kinds of massage therapists there. And if I’m going to keep on with the sculpture (I do seem to have been bitten by a “play with plasticine” bug!) I’ll have to get an adjustable table that lets me work with a straight back.

My neck is showing less inclination to crane forward now. I definitely need to keep the magnification high when I’m using this tiny laptop screen. My back still wants to be straight, chest out etc. I’ll give it a week, I think, then write another report.

04/11/11

Luke Jerram’s glass microbiology

Luke Jerram is an artist whose diverse oeuvre includes street pianos and a Sky Orchestra of hot air balloons playing music over cities to sleeping people. In collaboration with glassblowers Kim George, Brian Jones and Norman Veitch, and in consultation with virologists from the University of Bristol, Jerram has created a series of clear glass sculptures of viruses and other microbes. It’s a strikingly beautiful rogues’ gallery. Jerome’s website says, “These transparent glass sculptures were created to contemplate the global impact of each disease and to consider how the artificial colouring of scientific imagery affects our understanding of phenomena. Jerram is exploring the tension between the artworks’ beauty, what they represent and their impact on humanity.”

Jerram is colour-blind, and this inspires his research into perception.  I’m inclined to think that material is as important as colour in influencing how we perceive objects before us — so that turning these plagues into finely worked glass perhaps causes information to be altered in translation as much as occurs with coloured renderings of colourless microbes. But perhaps the point is to make us think about perception in general and its inevitable flaws, distortions and biases, whether we’re using our own senses or instruments, and looking at the real thing or a rendering of it?

Smallpox, an “Untitled Future Mutation” and HIV:
Viruses_Lukejerram

Malaria:
Malariaforweb1_0

04/7/11

Gary, Fred, Jenny, Pan

I’m back in Australia, enjoying the balmy autumn weather (and a $20 not-half-bad haircut!)

I didn’t have a big enough box to carry the minotaur in — I’d have had to cut him into 3 or 4 parts, and just couldn’t psyche myself up to do it — but I’ve brought the girl and a couple of other little figures, and started two here. I’m going to post WIP shots and progress notes over the next few weeks, and see where they all end up.

1. Gary – poor Gary, I started him a couple of months ago at the same time as I was making the other horse guy (Boris). My idea of “good enough” got fussier while I was taking the classes, so that Gary is no longer as nearly-finished as I thought he was. I’ve cut his arms off to work on the torso. I’m learning that it’s a good idea to plan the order in which the model gets finished — maybe work on limbs seperately and stick them on at the end — whatever you have to do in order to avoid getting your hot hands on finished parts of the model. My teacher recommends cutting finished heads off and keeping them in the fridge, and gluing models to base blocks (you can just slice them off afterwards). Gary is currently sitting in no great comfort on a nail, but he turns around on it, so I think I’ll remove it and go the glue route. He needs bits of work all over, plus a hand and a foot still to do.

wax_gary1

wax_gary2

2. Fred – I’m not sure that Fred is his name. It might be Bruce or Bill or George or Aloysius or Cedric. He isn’t as far along as Gary, but I’m pretty happy with the basic shape of his torso. The next thing I want to do is his head, so I need to decide what sort of dog he’s going to be.

wax_fred1

wax_fred2

3. Jenny – she’s just a gleam in the milkman’s eye at present. She’s going to be a bit more complicated than the other two, and I definitely need to think about the smartest way to make her. Right now, I just want to make her head smaller — and, like Fred’s, get it right, which’ll mean some drawings first. So this is Jenny in the first 15 minutes of her life:

wax_jenny1

wax_jenny2

4. Pan – he’s been happening fast, in the same green wax as the minotaur and girl, which is easier to work than the brown. I made a female fairy’s head a few days ago, and when I changed an eye that wasn’t working, the head turned into Pan. I still want to do a fairy, but the head might have to be bigger, as it’s hard enough to make a pretty face, never mind on a tiny scale! Pan is going to be a small bust, about 3 inches high. I made his face yesterday, and it’s getting somewhat close to finished, though I still want to poke around at it a bit more — including with a tool I don’t have here, so unless I can get one in Melbourne, final work on the face might have to wait till I’m back in Bangkok. It also needs to be smoothed. Aside from that, there’s still his hair, horns and ears, the angle of his head and neck — I’ll need to look at figures in the same position to see how the neck muscles go — and the chest and upper back, which need to look correct, but I probably won’t finish them as smoothly as I’ll try to finish the face. I think I should do his neck next and settle on how the head’s going to be tilted.

He also needs a support. Instead of trying to saw and file a wooden block down to the right shape to go under his chest/back, I think I’ll make a lump of wax into the right shape and cover it with cling wrap. A lump that size won’t soften in the temperatures here, and it can go in the fridge anyhow.

Starting Pan:
wax_pan1a

wax_pan1b

The other side of the face:
wax_pan2front1

wax_pan2left1

wax_pan2left2

wax_pan2right1

wax_pan2top

The back’s still all lumps!
wax_pan2back

04/7/11

I write like…

A toy!

http://iwl.me/

See which famous writer you write like. Or your friends write like. Or other famous writers write like.

04/3/11

Eneit Press closing

I’m sorry to say that as a result of the collapse of Borders in Australia, Eneit Press, Baggage’s publisher, will be closing down. Copies of Baggage are still available from Eneit, and Tessa Kum’s novella Acception — nominated for a Ditmar, as is Baggage itself — can be downloaded for free here. Go on, check it out!