So I think I did pretty well on those three stories. Two of them each have a line that I’m not sure about (because I don’t finish things until I’m dragged kicking and screaming to that place where you finish things, whatever it’s called) and one needs a few more hours that I don’t feel quite up to giving it this afternoon — but I’m feeling happier with them. I just hope I don’t go changing my mind again. I really can’t now. The Art of Dying is now a slightly different blend of the original and subsequent versions with minor additional renovation. I worked on some of the language in The Love of Beauty and on tidying it up more than I had done before. We the Enclosed, which should be as smooth as possible, got sanded — it’s the one that still needs a wee bit more work.
This weekend I want to work on preparing e-Etched City — front and back matter, formatting and what have you. Next week is for the other stories in Mad Ancestor — little tweaks to this and that — and working on the cover, which is at the ‘looks nearly finished but actually hours of fiddly stuff to do’ stage. On the next weekend I may go on a spree of some kind — j/k, will probably still be dicking around with the cover and sundry recalcitrant sentences, and perhaps designing a Rube Goldberg machine for rewriting text, with a thesaurus input tube and a grammar mincer.
“and perhaps designing a Rube Goldberg machine for rewriting text, with a thesaurus input tube and a grammar mincer” – You should totally be drawing a picture of this. XD
And then…build it! =D
I will write you a note to go with your machine, containing recipes to use up the extra minced grammar one always discovers one has.
Yay! Leftover minced grammar is my favourite grammar. Shepherd’s grammar pie, maybe?